Wonderful introduction to the world of Turkish exploitation cinema. There is a decent amount of information about Turkish westerns. Turkish westerns are nuts . . . I mean, they are completely insane. Just like the Italian filmmakers of the time, copyright was not a major issue . . . but the Turkish filmmakers took pirating to a new extreme. Their movies are typically very tongue and cheek. At first they seem just weird, but after watching a few I have started to get into them a little bit. Too few have subtitles for English speakers, though I think that there is a growing community of fan subbers dedicated to making these movies more accessible to the English-speaking world. Great blog post!
Many thanks once again to Gokay Gelgec of the Sinematik website and Bill Barounis of Onar Films for invaluable background information on these films and the culture they were made in. Wherever possible, I’ve referred to the best-presented and ‘official’ versions of these films available.
Dünyayı Kurtaran Adam AKA The Man Who Saved The World (Çetin Inanç, 1982) doesn’t make it too far past the endearingly handmade titles before it demonstrates the elements that gave it its better-known title, “Turkish Star Wars”. Edited into new Turkish scenes are newsreel clips of NASA rocket launches, instantly recognisable shots from Star Wars Episode IV: A New Hope (chopped from a print in a different aspect ratio from the rest of the Inanç‘s film – making the Death Star an odd shape), and identifiable footage from Sodom…
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